Refined Reduction: A Zero-Waste Kimono Sleeve Tunic  

Refined Reduction explores how zero-waste patternmaking can be used to create contemporary womenswear without sacrificing aesthetics, wearability, or thoughtful construction. The garment was developed through an iterative patternmaking process in which fabric utilization and design were considered simultaneously, allowing the final pattern to eliminate textile waste while maintaining a refined, ready-to-wear appearance.

Beginning with a half-scale prototype, I experimented with silhouette, construction, seam finishes, and adjustable details before developing the final garment. The result is a versatile kimono-sleeve tunic that demonstrates how the limitations of zero-waste patternmaking can become opportunities for intentional and creative design.

Selected for the ITAA 2026 Design Exhibition
39.3% overall acceptance rate across all levels

This research explores how artificial intelligence can support the fashion design process by translating original 2D fashion illustrations into 3D garment visualizations and technical flats. Ten AI platforms were evaluated using standardized designs and prompts, with each platform compared based on accessibility, ease of use, accuracy, complications, and the number of iterations required to achieve a usable result.

The study revealed both the opportunities and current limitations of AI within apparel design. While many platforms successfully interpreted overall garment silhouettes, finer details such as fabric characteristics, proportions, and construction elements proved more difficult to reproduce accurately. The project provides insight into how emerging AI tools may support designers while reinforcing the continued importance of technical knowledge and designer input throughout the creative process.

Zero-waste design has become an ongoing area of exploration within my work. Beyond Refined Reduction, I have continued experimenting with how pattern placement, garment construction, and creative problem-solving can reduce or eliminate textile waste.

Each project approaches zero-waste patternmaking differently, allowing me to explore how the constraints of using an entire piece of fabric can influence silhouette, fit, functionality, and visual design. Through continued experimentation, I am interested in finding ways to make zero-waste garments feel intentional, wearable, and adaptable to contemporary fashion.